Why A Fantasy- Guest Blog
For today’s post, I have written a guest blog for Marilyn Almodovar (@LynAlmodovar) about why I write young adult fantasy.
There’s two answers to that question. One is short and one is long. To read both, please visit her blog here.
Sensible Sensory
When you read over your newly crafted scene, you’re first reaction is generally positive, isn’t it? Writing is no simple feat, after all. Even on the first draft you have accomplished something amazing. You have translated a thought that once lived in your head and molded it into a scene on paper that others can read. That’s huge! Unfortunately, that’s where it gets tricky.
As you read over the scene, no matter how much work it might need, you have a picture perfect reference in your mind. A vision of the scene that needs no editing. Surely you will spot a grammar error or two or where a sentence needs to be changed. But you may skip over what vital pieces are missing from the description. The senses.
Sensory writing is a sensible approach. The senses you detail facilitate the reader’s understanding of your narrative. Typically the sights are unavoidable to include, otherwise you would have a blank page. What is often left out are the smells, tastes, sounds and tangible / intangible feelings of the main character. The reason is because as the writer, you already have a hold on those details. The simple truth is, you forget that the reader doesn’t know those facts. To change this pattern of unintentional negligence: count to six.
One- Sight starts it off with a bit of fun
Two- Sound tells us how the wind blew
Three- Smell can be brie or even the sea
Four- Taste lingers just a tad more
Five- Touch helps the words thrive
Six- Thought is the final fix.
During life off the page, you may ignore your senses, but that doesn’t mean you’re not absorbing all that valuable information to comprehend the world. When reading over your next scene, fresh from your dreams, be sure to count the six sensory aspects. Do your best to involve sensory writing in every scene, this on its own will make your writing come alive.
A word of caution: Don’t force a sense that doesn’t fit! But don’t forget one that requires a bit.
Book Building: The Sandwich Method
Ideas are flooding your head, grasping for your attention during every waking moment and demanding to be written. It’s good that you decided to START your book off on the right foot, but now it’s time to write and you’re stumped. This isn’t regular ole writers block either. This is the fundamental challenge of how to pull together all your great ideas from outline form into a cohesive story.
Well, make a sandwich! A book building sandwich!
I suppose if you’re hungry, a real sandwich will help energize your creativity, but this special sandwich will help you organize and thrive as you begin pounding the keys or scribbling words to paper. Imagine that your novel is a tasty beef on weck, or pastrami on rye, or turkey club- whatever metaphor you’d like. When you make this delicious meal, it doesn’t just appear before you, there are ingredients that need to be layered and combined, just as in your novel.
The Top and Bottom Bread: This is the beginning and end of your story – One, it should be hearty enough to withstand the interior elements and Two, it is the first and last taste of your tale readers will receive, so make it great!
The Meat: Your characters solidify the story. Without them, you have nothing but crust. You can load up on the meat like in a dagwood and enjoy the harmonies of several players or keep it simple like fried bologna.
The Additional Flavors: Events, subplots and major twists are your add-ons that give the story body and depth. Notes of cheesy love, crisp corruption or tangy terror added into a plot are always enjoyable.
The Dressing: This pulls together the meat and flavorings of your narrative using a theme or concept that ties all the loose ends. After all, without the dressing, your story would fall apart!
The Secret Ingredient: Finally, put in something with a bit of kick, something unexpected for readers to really sink their teeth into.
There you go! One made-to-order, cleverly-constructed, perfectly-layered book building sandwich. A product that you, the creator, can be proud of serving to the public and something readers will devour and then beg for more!
Writer’s Sketch 6: A Slow Winter’s Day
The sound of a clock ticking off the seconds remains my only company. It’s a slow day. Winter seldom brings visitors to my humble shop near the outskirts of town. A dizzying glow of light flickers as the filament in my sole lamp is sure to die out soon. Thankfully, the day grants several more hours of sunlight before the contents of my store become a shrouded maze of shelves and boxes. It would be wonderful if even a single soul passed my way. The jams are lonely on their shelf, lusting for a crusty slice of bread or maybe even a luxurious scone. And in this cold, it’s a shock the fresh cream hasn’t turned to butter.
Here I stay, perched behind the clunky register, my woolen jacket absorbing the sweet harvest smell of the shop. I have to admit, the grassy stench of hay has become overbearing. A buzz of wheels catches my attention, like a hunter in the forest, my ears trace its rumbling roar down the street and out of earshot. The road adjacent to the lot is a path of deception, its travelers wandering ever-so close but never stopping. There’s fresh bread! Baked just this morning! If only they knew.
A pop echoes across the spacious floor. The lamp light has finally gone dark. It’s unfortunate, but well expected. It does comes as a surprise how the far reaches of the room are now dim, as if time has accelerated them into the evening. Even the window above the pie display seems clouded. The clock ticks have grown louder, marking the passage of another profitless day. From the rafters, a beam of wood creaks, yielding to a gust outside. And yet, from my clear view through the several paned windows, the foliage lays still. In fact, there is no wind at all. The beam in question, as I have become accustom to its moans, only utters such a noise against the wind.
There it is again! Suddenly, dropping directly in front of me, a small statured man cloaked in black stands ready to confront me with what looks to be nunchucks. Although, as his eyes reveal, he is as equally as surprised to see me. Perhaps he was expecting another employee? My father? The girl down the lane? “What do you want?” I inquire, having realized I have stood in a precarious manner that says I am willing to flee at the drop of a pin.
“This isn’t the home of Mister Morimoto, I take it.” When the words began to fall from his mouth, I flinched. But, that was his response. He did not attack or shout as I expected. It was a simple statement, one not even in my most remote guesses of what this masked man might have said.
“No,” is all I managed to reply.
His shoulders drop and the weapon’s chain jingles. “Not again,” he grumbles, relaxing his spine and slumping over, clearly dejected. “This is the third time I’ve got the location wrong. The other ninjas are going to kill me.”





