I Hear Fictional Voices with Z.N. Singer
I write because I hear voices in my head.
I haven’t checked, but I’m probably not alone in this. I’m pretty sure all writers are writing what they are told by voices in their heads. In fact, I am sure that musicians make music because they hear things, and that artists draw and sculptors sculpt because they see things. In short, we are all crazy together. Blessedly, magnificently crazy.
It is a gift. Not a burden. We, and we alone, are chosen by these voices, these visions. They come to us, and to no one else. No other writers hears the voices I do, and no one who isn’t a writer even understands what I mean. And they come for a purpose. They come because we can do for them what no one else can. We can give them what they need. The Greeks were wrong: there are not three Muses. There are infinity.
Give us life, they whisper. Make us real. Give us form that we might be born into the world and the minds of men.
And we do. Because we love them. I don’t know what I’d do without them. Why, if I didn’t have these voices in my head, I might go crazy.
I lost the voices once.
It was after I’d finished my first novel length project. I put it that way because it was a fanfiction – I have since mostly abandoned that field, but at the time I’d forgotten my passion as a writer, and writing that fanfiction novel woke me up again, and taught me some good lessons besides. I don’t regret it. But the point is, it was my first novel that I completed, and it took me two years. Two years of a novel’s worth of voices in my head. For two years, the cacophony in my cranium exceeded any I’d had before. It was wonderful. I loved it.
And then I finished it. I sat back in my chair, expecting to be satisfied, thrilled, ecstatic.
The voices were gone. I was scared.
I’d fulfilled my mission: I’d given them life, a form in which they could live in the world. And so, now, they no longer lived in my head. They didn’t need me anymore. For the first time, I experienced a mass exodus of voices. My head was empty. The void frightened me. For several days, I honestly thought I might lose my mind from it. How could I live without those voices? I didn’t I could.
But of course it was temporary. I’d been laying the groundwork for my novel for the past year, and with the cast of Fate/Spiral Time gone, those fledgling voices began to grow to fill the gap. It wasn’t the same, not nearly, but I no longer feared for my sanity.
Some time passed. There was a false start: I thought I was ready and discovered that I hadn’t nearly fleshed out the setting and characters enough. Then I was busy with school and trying to produce my first e-book, an anthology of my short stories – I made progress, but slowly. But then finally came midwinter break, and my anthology e-book was out and I had the time to finish preparing at last. Two weeks ago, I began to write again. This time, it was different. This time was right. And so, this time, the voices began to rise…
Soon, those dark empty rooms will be full again. Full of voices and dreams. I’m so glad.
I’ve missed them so much. Those voices.
Author Bio: Z. N. Singer probably owes his career first and foremost to his parents’ callous act at the tender age of seven – specifically, they threw away the television. It never returned to the family, and he was forced to find other entertainment. He found books. Because writing makes a satisfying career but an uncertain source of income, he finds time to write in-between coursework at the Cleveland Institute of Art, where he studies Interior Design (not decorating – think interior architecture). You can find more examples of his writing, as well as extensive and ever expanding documentation on the world in which his eventual fantasy series will be set, at www.thewordpile.com . Free samples of (fantasy) fiction writing and occasional short stories available as well. There’s a chatbox and comments are open to all, so no matter what your reason, even just to hang around, be sure to stop by. You can also connect with me on Facebook and Twitter .
START Your Book the Right Way
Before you even think to write, you have to START. “Well, duh,” you say, huh? Okay, I admit you have a point. You have to start anything to get the ball rolling. But I’m not talking about rushing into your idea all bewildered where half your notes end up in the trash. This tactic is efficient and effective. It applies the simplicity of the acrostic to the complexity of noveling and results in a firm foothold.
Constructing Character
Without characters, you have no story. It is the characters who should drive and shape the plot, not the other way around. Main characters, secondary characters and tertiary characters are what define a narrative. You can’t mention X-Men without images of the mutants, or Titanic without the star-crossed lovers. A story can happen from any perspective, so it is imperative who you choose to tell your tale.
I want to briefly mention archetypes or what I call, molded characters. These people are essential a cut out of a personality that has become ingrained in human storytelling. The jokester, the bad boy, the damsel in distress, the imposter, the hero, the villain, the know-it-all, the sidekick—the list goes on. What all these have in common is their lack of depth. They’re flat and uninteresting, nothing more than an underdeveloped outline. In short, they’re boring. However, since all characters begin at this level, you can transform a mold into someone unique and wonderful.
Forming characters might seem like a daunting task, but by building layers of complexity, you can construct a person who comes to life in your writing:
Pick a Mold Type. Choose a Name. Imagine their Appearance. Define Personality. Understand their Motivations. Give them Challenges. Lastly, ensure Development. These steps speak for themselves, but I’ll show you how character construction is done using Neytiri from Avatar.
Mold Type: Independent Woman
Name: Neytiri
Appearance: A blue-skinned humanoid that stands twice the height of a human. She has a sleek, toned body, cat-like eyes and dark, braided hair. Her figure is somewhat feline with satellite ears and a tail.
Personality: She is a caring teacher, offering her knowledge readily. As a skilled hunter, she is independent, resourceful, clever and cautious. Her reputable position among the People gives her the freedom to speak her mind, which she does curtly and with harsh judgment. She honors her duties, respects others and has the ambition to prove her spirituality.
Motivations: As the next Shaman for her tribe, she soaks up information and etiquette as she strives to fills her mother’s shoes while keeping her tribe safe from outsiders.
Challenges: Presented with a charming human, she must make him one of the People to prove to herself and the tribe that she is a worthy leader and teacher. In addition, forces outside of her control threaten her way of life.
Development: Through teamwork, the pair overcomes the forces of nature and humanity that stand against them. Although she believes she is solely teaching him, he also opens a new world to her by means of friendship and love. Having trusted him, a betrayal and ultimate redemption show her that she truly impacted his life and the life of her tribe.
That may be a rough description of Neytiri, but it shows how you can transform a mold into a character that looks, sounds and feels real. Using these steps, shaping your story’s characters won’t be any trouble at all. Treat this as an outline. Feel free to add or remove details until it functions as a written portrait of your character. As you can see, creating a well-rounded character is fairly simple. Writing them memorably is the challenge.






